Cut for the swing, and after
The polo, the trouser, the quarter-zip, the travel jacket — drafted from your own pattern, in cloth that moves with you and comes out of a bag ready.
Performance clothing is usually engineered around a body that doesn't exist. Yours is drafted around your shoulders — then asked to move.
What we make
The pieces that cover the round, the flight, and whatever's waiting at the end of both.
The Performance Polo
Cut close through the chest, collar built on its own stand so it holds under a jacket.
The Golf Trouser
Side adjusters in place of a belt, a deeper rise through the seat, pockets set forward of the seam.
The Quarter-Zip
Shaped through the back and hemmed to lie flat — worn alone, or under a topcoat in February.
The Travel Jacket
Half-lined, no padding in the shoulder, seams bound by hand — it goes into a case and comes out ready.
The Performance Shirt
Split yoke, a soft collar interlining, and room across the blades to sit through a long flight.
Every choice, made with you.
Every one of these is decided at your fitting, in front of the cloth — and most of them you feel before you see.
The pattern moves
before you do
A polo takes no canvas — it takes a pattern. Yours is drafted with the arms forward and the back extended, the shape you're actually in at the top of a backswing, not standing at attention for a tape measure: the armhole cut high, the sleeve head small, so the arm travels and the body of the garment stays where it was put. Seams sit flat so nothing rubs under a bag strap, hems are finished to stay down through a full turn, and stress points are bar-tacked — cloth that gives has to be told where not to.
Cloth that gives, and recovers
Technical cloth doesn't behave like a worsted — it slips under the shears and grows under the iron, so it's laid out and left to rest before a line is chalked. The houses are the ones already in your suits — Loro Piana, Vitale Barberis Canonico, Reda, Scabal — and you see your cloth rendered on the mannequin before anything is cut.
See the fabrics we work in →Where it lives
One wardrobe, so the day doesn't need three changes of clothes.
The client round
Eighteen holes that are really a meeting — then lunch, without a trip back to the car.
Wheels up at six
Folded into a bag at O'Hare, worn straight into the room on the other end.
February in Chicago
The layer under the topcoat, cut close enough at the shoulder that nothing bunches when you sit.
See it before it's cut
Start with a conversation — at our Chicago studio, at your office, or by video from anywhere.